Ryan Gander

A picture is worth ten words, max, 2013.
										Bronze, Aluminium - bronze, aluminum.
									92 x 35 x 15 cm - 36.2 x 13.8 x 5.9 in.
A picture is worth ten words, max, 2013.
Bronze, Aluminium - bronze, aluminum.
92 x 35 x 15 cm - 36.2 x 13.8 x 5.9 in.

Styling out of fatigue - Georgia, (age 8), 2011.
									ca. 80 x 150 x 150 cm - 31.5 x 59 x 59 in.
									Öl auf Leinwand - Oil on canvas.
									Kiefernholz, Acrylfarbe, Spiegel, Pfanzen - Pine wood, acrylic paint, mirrors, plants
								Unikat - unique; in 10 Variationen - in 10 variations.
Styling out of fatigue - Georgia, (age 8), 2011.
ca. 80 x 150 x 150 cm - 31.5 x 59 x 59 in.
Öl auf Leinwand - Oil on canvas.
Kiefernholz, Acrylfarbe, Spiegel, Pfanzen - Pine wood, acrylic paint, mirrors, plants
Unikat - unique; in 10 Variationen - in 10 variations.

The Artwork Nobody Knows, 2011.
							140 x 140 x 15 cm - 55.1 x 55.1 x 5.9 (plinth), 15 x 7 x 5 cm - 5.9 x 2.8 x 2 (figure)
The Artwork Nobody Knows, 2011.
140 x 140 x 15 cm - 55.1 x 55.1 x 5.9 (plinth), 15 x 7 x 5 cm - 5.9 x 2.8 x 2 (figure)

Remember me, mistakenly - Although you've given me everything (Lohse), 2011.
							Diptychon, je 98 x 70 cm - diptych, 38.5 x 17.5 in. each.
						Öl auf Leinwand - Oil on canvas.
Remember me, mistakenly - Although you've given me everything (Lohse), 2011.
Diptychon, je 98 x 70 cm - diptych, 38.5 x 17.5 in. each.
Öl auf Leinwand - Oil on canvas.

Am I naked too?, 2011.
						31,7 x 25 cm - 12.5 x 10 in.
					Architektonischer Eingriff - Architectural intervention.
Am I naked too?, 2011.
31,7 x 25 cm - 12.5 x 10 in.
Architektonischer Eingriff - Architectural intervention.

Cutting along a dotted line towards a scissors logo, 2011.
					ca. 360 x 300 cm - 143 x 118 in.
				Siebdruck - Screen print.
Cutting along a dotted line towards a scissors logo, 2011.
ca. 360 x 300 cm - 143 x 118 in.
Siebdruck - Screen print.

A study for English girls / Foreign girls, 2011.
				Diptychon, je 70 x 70 cm - diptych, 27.5 x 27.5 in. each.
			Fotografie, gerahmt - Framed photograph.
A study for English girls / Foreign girls, 2011.
Diptychon, je 70 x 70 cm - diptych, 27.5 x 27.5 in. each.
Fotografie, gerahmt - Framed photograph.

I Think..., 2011.
			Stoff, Gummi - textile, rubber.
		ca. 20 x 90 x 80 cm - ca. 8 x 35.5 x 31.5 in.
I Think..., 2011.
Stoff, Gummi - textile, rubber.
ca. 20 x 90 x 80 cm - ca. 8 x 35.5 x 31.5 in.

Poison is a woman's weapon Watson, 2011.
		Digitales Video, dauerschleife, 1min - 1 min looped digital Video.
	Edition 5 von 5 - edition 5 of 5.
Poison is a woman's weapon Watson, 2011.
Digitales Video, dauerschleife, 1min - 1 min looped digital Video.
Edition 5 von 5 - edition 5 of 5.

I am Broken, 2011.
	Ikea Regale, Efeu - Ikea shelves, Ivy.
ca. 300 x 26 x 26 cm - 118 x 10 x 10 in.
I am Broken, 2011.
Ikea Regale, Efeu - Ikea shelves, Ivy.
ca. 300 x 26 x 26 cm - 118 x 10 x 10 in.

Things I have to remember to keep smiling, 2011.
120 x 120 cm - 47 x 47 in.
SW Foto, gerahmt - B&W photo, framed.
Things I have to remember to keep smiling, 2011.
120 x 120 cm - 47 x 47 in.
SW Foto, gerahmt - B&W photo, framed.

Not even to be trusted with a paper clip, 2011.
ca. 3,65 x 13 m, Maße variabel - 12 ft. x 42 ft. 8 in., dimensions variable.
Digitaler Druck auf Plakatpapier - Digital print on blue backed paper.
Not even to be trusted with a paper clip, 2011.
ca. 3,65 x 13 m, Maße variabel - 12 ft. x 42 ft. 8 in., dimensions variable.
Digitaler Druck auf Plakatpapier - Digital print on blue backed paper.

True Simplicity (A study for 'Who said this was true multiplicity anyway), 2011.
Schwarzweiß-Fotografie - black and white photograph.
24 x 32 cm - 9.5 x 12.5 in.
True Simplicity (A study for 'Who said this was true multiplicity anyway), 2011.
Schwarzweiß-Fotografie - black and white photograph.
24 x 32 cm - 9.5 x 12.5 in.

Merr, m, m, m mer, merm, ma, 2010.
27,5 x 40,5 x 4 cm - 11 x 16 x 1.5 in.
SW Foto, gerahmt - B&W photo, framed.
Merr, m, m, m mer, merm, ma, 2010.
27,5 x 40,5 x 4 cm - 11 x 16 x 1.5 in.
SW Foto, gerahmt - B&W photo, framed.

Are you saying it is the magic or the meaning then?, 2009.
26 x 38 x 4 cm - 10.5 x 15 x 1.5 in.
SW Foto, gerahmt - B&W photo, framed.
Are you saying it is the magic or the meaning then?, 2009.
26 x 38 x 4 cm - 10.5 x 15 x 1.5 in.
SW Foto, gerahmt - B&W photo, framed.

Is it the magic or the meaning then?, 2009.
26 x 38 x 4 cm - 10.5 x 15 x 1.5 in.
SW Foto, gerahmt - B&W photo, framed
Is it the magic or the meaning then?, 2009.
26 x 38 x 4 cm - 10.5 x 15 x 1.5 in.
SW Foto, gerahmt - B&W photo, framed

In the Shadow of the Alpinist - (The Fifth To The Eleventh Of February, Two Thousand and Thirty One), 2005.
17 x 17 x 17 cm (Skulptur), 2,5 x 15 cm (Transferfolie) - 6.5 x 6.5 x 6.5 in. (sculpture), 1 x 6 in. (transfer).
Gips, Transferfolie - Plaster, rubdown transfer.
In the Shadow of the Alpinist - (The Fifth To The Eleventh Of February, Two Thousand and Thirty One), 2005.
17 x 17 x 17 cm (Skulptur), 2,5 x 15 cm (Transferfolie) - 6.5 x 6.5 x 6.5 in. (sculpture), 1 x 6 in. (transfer).
Gips, Transferfolie - Plaster, rubdown transfer.

Geboren 1976 in Chester, UK / born 1976 in Chester, UK

2001-2002Post-Graduate Fine Art Participant

Rijksakademie van Beeldende Kunsten, Amsterdam, NL
1999-2000Post Graduate Fine Art Research Participant

Jan van Eyck Akademie, Maastricht, NL
1996-1999First Class Degree, BA (Hons) Interacitve Art

Manchester Metropolitan University, Manchester, UK


Lebt und arbeitet in Lodon, UK / lives and works in London, UK

Auszeichnungen und Preise / Awards and Prizes

2009Nominee for The Times / South Bank Show Breakthrough Award, UK
2009Winner of the Zurich Art Prize, Haus Konstruktiv, CH
2009Shortlist for Bishops Square Public Art Commission, Spitalfields, UK
2008
Paul Hamlyn Award, UK
2007DENA Foundation Art Award, FR
2006ABN AMRO Prize, NL
Baloise Art Statements Prize, Basel Art Fair, CH
2005Beck's Futures Shortlist, ICA, London, UK
2004Cocheme Fellowship, Byam Shaw School of Art, London, UK
2003Prix De Rome for Sculpture, NL
2001-2003Arts Council of England International Fellowship, UK

Einzelausstellungen / Solo Exhibitions

2014
Chance Everything, Mostyn, Llandudno, UK
The artists have the keys, 2 Willow Road, London, UK

2013

Make every show like it's your last, Frac Île de France / Le Plateau, Paris, FR
Once upon a bicycle, not so long ago, Annet Gelink Gallery, Amsterdam, NL
Ryan Gander's Associative Photographs, 2004, Zabludowicz Collection, New York, US
How I Imagine artists physically envisage the internet when using it as a presentation platform, Desktop Residency, www.desktopresidency.com

2012

These are things that I dont understand, Daiwa Press Viewing Room, Hiroshima, JP
Esperluette, Palais de Tokyo, Paris, FR
Boing, Boing, Squirt, Museo Tamayo Arte Contemporáneo, Mexico City, MX
Lost In My Own Recursive Narrative, Fondazione Morra Greco, Naples, IT
Ryan Gander: An Exhibition of Recent Paintings, David Risley Gallery, Copenhagen, DK
An exercise in cultural semaphore, GB Agency, Paris, FR
The Fallout of Living, Lisson Gallery, London, UK

 


2011

Really shiny things that don't mean anything, Public Commission, Trybuna Honorowa, Plac Defilad, Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw, PL
Ryan Gander, Billboard for Edinburgh: Year 4, Ingleby Gallery, Edinburgh, UK
Icarus Falling - An Exhibition Lost, Maison Hermès, Le Forum, Tokyo, JP
Meaning...surrounds me now, 1223 Gendaikaiga, Tokyo, JP
New Collisions in Culturefield, Johnen Galerie, Berlin, DE
Locked Room Scenario, Artangel, London UK
Now there’s not enough of it to go around, Annet Gelink Gallery, Amsterdam, NL
You have my word, Dazaifu Tenmangu, Fukuoka, JP

Attempting to remain light on ones feet: Work from Daiwa Collection, Okinawa Prefectural Museum, Okinawa, JP
Ftt, Ft, Ftt, Ftt, Ffttt, Ftt, or somewhere between a modern representation of how a contemporary gesture came into being, an illustration of the physicality of an argument between Theo and Piet regarding the dynamic aspect of the diagonal line and attempting to produce a chroma-key set for a hundred cinematic scenes, Taro Nasu Gallery, Tokyo, JP

2010
Saying something is made of something when it is actually made of something else, YU-UN, Tokyo, JP
The Happy Prince, Public Art Fund, Doris C. Freedman Plaza, Central Park, 
New York, US
Intervals: Ryan Gander, Soloman R. Guggenheim Museum, New York, US
Approach it slowly from the left, Haus Konstruktiv, Zurich, CH
You walk into a space, any space, Lisson Gallery, London UK
I am an Aurefilian, Taro Nasu Gallery, Tokyo, JP
A Whole Hole, G-Tokyo, Tokyo, JP

2009
The die is cast, Villa Arson, Nice, FR
We Are Constant, Frieze Art Fair Projects, London, UK
It’s a right Heath Robinson affair, gb agency, Paris, FR
It’s a right Heath Robinson affair, Kadist Art Foundation, Paris, FR
As it presents itself, Picture This, Bristol, UK
Heralded as the new black, Museum Boijmans Van Beuningen, Rotterdam, NL
I let somebody get under my skin, Annet Gelink Gallery, Amsterdam, NL

2008
Heralded as the new black, Ikon Gallery, Birmingham, UK     
Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE
How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP
Championed by Rigour, Tanya Bonakdar Gallery, New York, US
And it came to life, Marz Galleria, Lisbon, PT
Basquiat, STORE Gallery, London, UK

2007
GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP
More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP
Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US
Short cut through the trees, MUMOK, Vienna, AT
The Last Work, Stedelijk Museum, Amsterdam NL
Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK

2006

Ryan Gander, Massimo De Carlo, Milan, IT
Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US
Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK
Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH
The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH
Is This Guilt In You Too – (The study of a car in a field), MUMOK, Vienna, AT
Your clumsiness is the next man’s stealth, Annet Gelink Gallery, Amsterdam, NL
Nine Projects for the Pavilion de l’Esprit Nouveau, MAMbo, GAM, Bologna, IT

2005
But it was all green, Artists Space, New York, US
Of Any Actual Person, Living or Dead, Les Laboratoires d'Aubervilliers (with Aurélien Froment), FR
Is This Guilt in You Too – (The Study of a Car in a Field), Art Basel Statements with Annet Gelink Gallery, Basel, CH
Is This Guilt in You Too – (The Study of a Car in a Field), Annet Gelink Gallery, Amsterdam, NL
Somewhere between 1886 and 2030 (2005), STORE, London, UK

2004
An Incomplete History of Ideas, Cornerhouse, Manchester, UK
But it was all green, Annet Gelink Gallery, Amsterdam, NL
La Galerie dans ma Poche, Leeds; London, UK

2003
But it was all green, STORE, London, UK
The Death of Abbé Faria, Stedelijk Museum Bureau, Amsterdam, NL

2002
Marie Aurore Sorry, The International 3, Manchester, UK
In Return, (with Shahryar Nashat), Centre Pasquart, Bienne, CH


Gruppenausstellungen / Group Exhibitions

2014
Private Utopia, Itami City Museum, Itami-shi, Hyoho, JP
Livre Imaginé, Les territoires, Montreal, CA
Return Journes, Mostyn, Llandudno, UK
DECORUM Carpet and tapestries by artists, Power Plant Station of Art, Shanghai, CN

2013

Ryan Gander: Associative Photographs, 2004, Zabludowicz Collection, New York, US
DECORUM Carpet and tapestries by artists, Musée d'Art Moderne de la Ville de Paris, Paris, FR
Mijn Derde Land (My Third Country), Frankendael Foundation, Amsterdam, NL
SNAP 2013: Art at the Aldeburgh Festival, Snape Maltings, Snape, UK
Postscript: Writing After Conceptual Art, The Power Plant Contemporary Art Gallery, Toronto, CA
Dear Portrait, Mostyn, Llandudno, UK
Les apparations, La Chapelle de la Présévérance, Pau, FR
Heliotrema, Recorded Audio Festival, MACRO Museo d'Arte Contemporanea Roma, Rome, IT
Dans Cinquante Ans D'ici, curated by Niekolaas Johannes Lekkerkerk, part of 'Livre Imaginé: Source Ouverte 2013', Les Territoires, Montreal, CA

The Earth Turns and All Things Slip Away, curated by Edith Jeřábková & Jiří Kovanda, hunt kastner, Prague, CZ
Inventing a future, gb agency, Paris, FR

TECTONIC, The Moving Museum, Dubai, AE
The Magic of State, Lisson Gallery, London, UK and Beirut, Cairo, EG
Broken Windows, New York Gallery, New York, US
Artists' Artists, CentrePasquArt Centre, Biel-Bienne, CH
Cast Recording, PRISM, Hollywood, US
Testing Ground 2013, Zabludowicz Collection, London, UK
A House of Leaves. Third Movement, David Roberts Art Foundation, London, GB 

2012
Chester, CO2, Rome, IT

The Beginning, Wild West Active Space, Maastricht, NL

They came out of nowhere he said, pointing to nowhere, TARO NASU, Tokyo, JP
Go Deep or Go Home, ASC Studios, London, UK
Art by Telephone...Recalled, Chateau, FR, Bordeaux, FR, New York, US

Postscript, Museum of Contemporary Art, Denver, US

Moral Holiday, NGCA, Sunderland, UK

9th Shanghai Biennale, Shanghai, CN

Chekhov’s Gun, g39, Cardiff, UK

Artists of the No, Projektraum Viktor Bucher , Vienna, AT

curated_by, Galerie Martin Janda, Vienna, AT

Detective, Galerie Andreas Huber, Vienna, AT

Without (Jonathan Monk), Meessen de Clerq, Brussels, BE

Drawing Alive, Ipswich Museum, Ipswich, UK

Art by Telephone… Recalled, CNEAI, Chatou, France Ministry of culture, FR; CAPC, Bordeaux, FR; Emily Harvey Foundation, New York, US

When Attitudes Became Form Become Attitudes, CCA Wattis, San Francisco, US

Documenta 13, Kassel, DE

SNAP: Art at the Aldeburgh Festival, Snape Maltings, UK

Glazed, Galerie Chez Valentin, Paris, FR

Beyond Words, GAK, Bremen, DE

British Group Exhibition, The Arts Club, London, UK

An Incomplete History of Incomplete Works of Art, Francesca Minini, Milan, IT

The eyes of the soul: A selection of works from the collection of Isabelle and Jean-Conrad Lemaitre, Fundació Godia, Screen from Barcelona, Barcelona, SP

Accidentally on Purpose, QUAD, Derby, UK
FOREIGNERS EVERYWHERE: Contemporary Art from the Pomeranz Collection, Jewish Museum Vienna, Vienna, AT

A common feeling, gb agency, Paris, FR, in conjunction with Murray Guy, New York, US

The Artists’ Postcard Show, Spike Island, Bristol, UK

Several Silences, Knoxville Museum of Art, TN, US

MacLean 705, MacLean 705, School of the Art Institute of Chicago, Chicago, IL, US
New presentation of the collection, MNAM, Centre Georges Pompidou, Paris, FR

Blind Cut, Marlborough Gallery, New York, US

Institute of Savages Archives, Villa Arson, Nice, FR

Coup Double at Bordeaux, FRAC Aquitaine, Bordeaux, FR

Rotary Connection, Casey Kaplan, New York, US


2010
Laocoon II, COCO, Vienna, AT
Excoffon, IFF, Marseille, FR
Publics and Counterpublics, Centro Andaluz de Arte Contemporaneo CAAC, 
Seville, ES
Things slowly curve out of sight
until they are gone. Afterwards
only the curve
remains., curated by Élodie Royer & Yoann Gourmel, Hermes Und Der Pfau, Stuttgart, DE
Propective XXIème siècle, Frac Ile-de-France / Le Plateau / L’Antenne France, 
Paris, FR    
Faint to Black, Henninsen Contemporary, Copenhagen, DK
Manifesta 8, Region of Murcia, ES
The Art of Camo, Cardi Black Box Gallery, Milan, IT
Resonance, Suntory Museum [Tempozan], Osaka, JP
Auto-Kino!, Berlinale, Kunsthalle Berlin, Berlin, DE
Hors d’Oeuvre, Campagne Première, Berlin, DE
About us, Johann König, Berlin, DE
Tatton Park Biennial, Tatton Hall, Knutsford, UK
Sameness and difference, Russian Club Gallery, London, UK
Present is a thing of the past, now, GAMeC Art Centre, Bergamo. IT
Art Parcours, Art 41 Basel, Basel, CH
Art Basel Unlimited, Art 41 Basel, CH
Les Interlocuteurs, Beaux Arts of Toulouse, Toulouse, FR
Hors d’Oeuvre, Campagne Première, Berlin, DE
Ecce Homo Ludens, Musée Régional d’Art Contemporain Languedoc-Roussillon, Sérignan, FR
Okay, I have had enough, what else can you show me?; DOCVA, Milan, IT
It is it, Espacio 1414, Santurce, PR
Motage, Maison d'Art Bernard Anthonioz, Paris, FR
The Storyteller, Art Gallery of Toronto, Ontario, CA
A performance cycle, Nomas Foundation, Rome, IT
Double Bind, Villa Arson, Nice, FR
Dark After After Dark, Khastoo Gallery, Los Angeles, US
Che cosa sono le nuvole?, Museion – Museum of modern and contemporary art Bolzano, Bolzano, IT
The Library of Babel, 176 Collection, London, UK
The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty), gb Agency, Paris, FR
Exhibition, Exhibition, Castello di Rivoli – Museo d’Arte Contemporanea, Turin, IT
Les Belles Images: Second Scenario, La Box, Bourges, FR
FAX, Para/Site Art Space, Hong Kong, CN
Artprojx Presents, Wimbledon College of Art, London, UK
The Library of Babel / In and Out of Place, 176 Gallery, London, UK
Répétition dans l’Épilogue, Super # 11, Galerie Lucile Corty, Paris, FR
Gallery, Galleria, Gallerie, Norma Mangione Gallery, IT
Production Site: The Artist’s Studio Inside-Out, MCA, Chicago, US
The Storyteller, Anna-Maria and Stephen Kellen Gallery, New York, US

2009
Lisson Presents 6, Lisson Gallery, London, UK
Forms of Enquiry, Architects Association, London, UK
British Subjects: Identity and Self-Fashioning, Neuberger Museum, Westchester County,New York, US
Where water comes together with other water, Chapter 3, gb Agency, Paris, FR
7 Words, Am Nuden Da Session, London, UK
Double Bind, Villa Arson, Nice, FR
Space as Medium, Miami Art Museum, Miami, US
Can Art Save Us, Millennium Galleries, Sheffield, UK
Mille e Tre, Musée du Louvre, Paris, FR
The Store, Artissima, IT
Radical Autonomy, Le Grand Café, Saint Nazaire, FR
TV, Mercer Union, Mercer Union, Toronto, US
The Storyteller, Salina Art Centre, Kansas. US
Eleanor Antin, Marcel Broodthaers, Peter Friedl, Ryan Gander, Erna Hecey Gallery Temporary Space, Cologne, DE
Still Nacht, Outlet, Manchester, UK
7a Bienal do Mercosul, Porto Alegre, BR
Sculpture of the Space Age, David Roberts Foundation, London, UK
Chasing Napolean, Palais de Tokyo, Paris, FR
Assembly, Yvon Lambert, Paris, FR
Richard Prince and the Revolution, PROJECTE SD, Barcelona, ES
Era New Horizons Film Festival, Warsaw, PL
Pete and Repeat, 176 Gallery, London, UK
Paper Show, David Risley Gallery, Copenhagen, DK
Trying to cope with things that aren’t human, Cell Projects Space, London, UK
The Space of Words, MUDAM, Luxembourg, LU
Talk Show, ICA, London, UK
The Happy Interval, Tulips & Roses, Vilinus, LI
Fax, The Drawing Center, New York, US
Natural Wonders, Baibakov Art Projects, Moscow, RU
Contested Ground, 176 Gallery, London, UK
Trying to cope with things that aren’t human, David Cunningham Projects, San Francisco, US
The Malady of Writing, MACBA, Museu d’Art Contemporani de Barcelona, Barcelona, ES; Artissima 17, Turin, IT
Younger than Jesus, New Museum, New York, US
Lisson presents 4, Lisson Gallery, London, UK
Places to be, Annet Gelink Gallery, Amsterdam, NL
The Little Shop on Hoxton Street, Limoncello Gallery, London, UK
Mirrors, MARCO, Vigo, ES
Several Silences, The Renaissance Society, Chicago, US
Desiring Necessities, John Hansard Gallery, Southampton, UK
Trying to cope with things that aren’t human, AirSpace Gallery, Stoke on Trent, UK
The Making of Art, Schirn Kunsthalle Frankfurt, Frankfurt, DE
The Storyteller, ICI, New York, US

2008
Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK
A Recent History of Drawing & Writing, ICA, London, UK
Playtime, Betonsalon, Paris, FR
Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX
Wouldn’t it be nice, Somerset House, London, UK
Out of sight, Proyectos Monclova, Mexico, MX
AWOL – Biennale of Young Artists, META Cultural Foundation, Bucharest, RO
Wouldn’t it be nice, Centre d’art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US
I desired what you were, I need what you are, Galleria Maze, Torino, IT
Within the big Structure, Megastructure, Berlin-Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN
Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US
Revolutions – forms that turn, 16th Biennale of Sydney, AU
As it presents itself, Whitstable Biennale, Whitstable, UK
Featuring, Galerie Chez Valentin, Paris, FR
The flight of the Dodo, Project Arts Centre, Dublin, IE
One of these things is not like other things, Unosunove Gallery, Rome, IT
Art Now Curate, Tate Modern, London, UK
Inaugural Show, Marz Galleria, Lisbon. PT
The show is not a void, Galeria Luisa Strina, Sao Paulo, BR
Future Landscape, Royal Academy, London, UK

2007
Appendix Appendix Radio Play, Performa 07, New York, US       
In the Stream of Life, Betonsalon, Paris, FR       
For Sale, Cristina Guerra Contemporary Art, Lisbon, PT        
Wouldn’t it be nice, Centre d’art contemporain, Geneva, CH
Words fail me, MoCAD, Detroit, US
Projecktion, Lentos Art Museum, Linz, AT
How soon is now, Luis Seoane Foundation, Coruna, ES
Language of Vision, mima Middlesborough Institute of Modern Art, UK
Without, Yvon Lambert, Paris, FR
Zero, Zero, S, Lyon Biennale, Lyon, FR
Plankjes, tak, Atelier als Spermedium, Artist Space for Contemporary Art, 
The Hague, NL
Twice told tales, Galerie Michel Rein, Paris, FR
You have not been honest, Museo D’Arte Donnaregina, Naples, IT
Whenever It Starts It Is The Right Time, Frankfurter Kunstverein, Frankfurt am Main, DE
Blackberrying, Christina Wilson Galerie, Copenhagen, DK
Der Droste Effekt, Esther Schipper, Berlin, DE
Prediction – Exhibition Trouble, Paris, FR
Un touchable, Patio Herrianom -  Museo de Arte Contemporáneo, Valladolid, ES
Some Time Waiting, Kadist Art Foundation, Paris, FR
Kit Bashing, Western Bridge, Seattle, US
On the Future of Art School, STORE, London, UK

2006
Constellations, Tanya Bonakdar, New York, US
Curating the Library, de Singel, Antwerp, BE
Projektion, Museum of Art Lucerne, CH
Éclipses du Réel, Centre d’art contemporain, Fribourg, CH
How soon is now?, Fundación Luís Seoane, Coruna, ESWrong, Klosterfelde, Berlin, DE
The show will be open when the show will be closed, STORE, London, UK
Radio Transmitted Time Capsule (with Francesco Manacorda), Radio Gallery, London, UK
Whitstable Biennale, Whitstable, UKLe Confort Moderne, La Space Station, Poitiers, FR
Le Spectre des Armatures, Glassbox, Paris, FR
El Albergue, Holandés, La Station, Nice, FRTrial Balloons, MUSAC,Musei de Arte Contemporáneo de Castillia y León, Leon, ES
Don Quijote, Witte de Witte, Rotterdam, NL
Objet a Part, Centre d’art Contemporain, Noisy le sec, FR
Group show: Pierre Bismuth, Ryan Gander, Karl Haendel and T. Kelly Mason, Cohen and Leslie, New York, US
Untouchable, Villa Arson, Nice, FR
Tate Triennial, Tate Britain, London, UK
The Standard Hotel, The Standard Hotel, Miami, US

2005
Spectator T, Sheffield, UK
T1 Triennial, Castello di Rivoli Museo d'Arte Contemporanea, Turin, IT
Free Library, M + R Gallery, London, UK
Romance – A Novel, Cristina Guerra Contemporary Art, Lisbon, PT
Jaybird, ZERO... Milan, IT
Post No Bills, White Columns, New York, US
n Exhibition Amongst Friends, GB Agency, Paris, FR
Invisible Script, W139, Amsterdam, NL
Beck’s Futures, CCA, Glasgow, UK
In This Colony, Kunstfort bij Vijfhuizen, NL
Beck’s Futures, ICA, London, UK
A Show Without Works, Project Room, Spazio Lima, Milan, IT
The World, Abridged, Kettles Yard, Cambridge, UK
Timeline, The Store & Window 32, Paris, FR

2004
Romantic Detachment, PS1, New York, US; Chapter Arts, Cardiff, UK; Q Arts, Derby, UK; Folly Gallery, Lancaster, UK   
Making Public, CBK, Dordrecht, NL
Summer Pursuits, Store, London, UK   
Loose Associations, Centre Pompidou Beaubourg, Paris, FR; Foksal Gallery, 
Warsaw, PL    Artist House, The Round Foundry, Leeds, UK

 

2003
Catch Me, Onufri, National Gallery of Albania, AL       
Tourette's, W139, Amsterdam, NL       
RDV, Résonance, Galerie des Terreaux, Lyon Biennale, Lyon, FR       
Prix de Rome (Winner), Museum voor Actuele Kunst, The Hague, NL       
Grizedale Artist in Residence, Grizdale, Cumbria, UK

 

2002
Unloaded, (Disused Military Bunkers), Oberschan, CH

2001
Record Collection, Forde Gallery, Geneva, CH       
In a language, Project ruimte zuid en oost, Amsterdam, NL       
On the trams, The Lowry, Manchester, UK

 

2000
The Oriel Mostyn Open, Llandudno, UK       
Square City, Holden Gallery, Manchester, UK       
Goethe’s Oak Has Woodworm, Static Gallery, Liverpool, UK       
Unfortunately Last Sunday, Museum Het Domain, Sittard, NL       
Free Space, Nieuw Internationaal Cultureel Centrum, Antwerp, BE

"Lost in Kassel", Die Zeit, 06.06.2012
"Ryan Gander", Art, 06.2012

"Der Mann, der vom Himmel fiel", Monopol, 03.2012

"Wir Retronauten", Monopol, Dec 2011
"Eurovision 2036", ArtAsiaPacific, Sep-Oct 2011 (Courtesy the author and ArtAsiaPacific)
"Ryan Gander: guessing games raised to a fine art", The Telegraph, 30.08.2011

"Meet Ernö Goldfinger, the unsung hero of furniture design", The Guardian, 07.06.2011
"London: Ryan Gander", L'Uomo Vogue, May 2011
"Ryan Gander", Artforum, 11.03.2011
"Looking Back Looking Forward", Frieze, 01.01.2011
"A Torrent of Ideas on a Beautiful Day", Artforum,  Nov 2010
"Ryan Gander: The Happy Prince", The Art Newspaper, 07.09.2010
"Now See This", Art Review, Sep 2010
"Artist of the week 89: Ryan Gander", The Guardian, 25.05.2010
"Reviews: Ryan Gander", Time Out, 20.05.2010
"Intervals: Ryan Gander", Deutsche Guggenheim Magazin, Jan 2010
"Public Artfund Announces Ryan Gander: The Happy Prince", artdaily.org, 2010
"Ryan Gander - Mapping the Studio", Kaléidoscope, #5 2010
"Jeu de piste avec Ryan Gander", Le Monde, 29.08.2009

"Ryan Gander", Artpress, 07/08.2009
"Ryan Gander. Portrait de l'artiste en artiste", Art21, Spring 2009
"Cut and Paste", Artforum, Mar 2009
"I let somebody get under my skin", Metropolis M, Jan 2009
"No wishful thinking for Ryan Gander as he takes on global popularity", The Sunday Times, 06.09.2008
"Where to Begin?", Frieze, 07/08.2008

"Ryan Gander - Something Vague", Bonner Kunstverein, 2008
"Answer is never the same. Interview by Rainmundas Malasauskas", CAC interview, Summer 2007
"Co-Pilots", Frieze, May 2007
"Where is Ryan Gander?", Artnet, 10.05.2007
"Back to the future. Interview with Hans Ulrich Obrist", Janus 22, Jan 2007
"Ryan Gander", Artforum, 14.12.2006
"Ryan Gander", Frieze, 10.10.2004