Rodney Graham, Martin Creed, Roger Ballen, Anri Sala : Koversationsstücke Akt l

09 January – 06 February 2010

  • Martin Creed, Work N° 223 - Three Metronomes beating time. one quickly, one slow and one neither quickly nor slow, 1999, 3 Metronomes.  je 11,5 x 11,5 x 21,5 cm - each 4.5 x 4.5 x 8.5 in.. Edition 4/9
  • Tim Lee, Rust never sleeps, Neil Young, 1979, 2010, 3 channel 35mm slide projection - 3 Kanal 35 mm Diapositiv-Projektion.  Bild - image: 19 x 29 cm - 7.5 x 11.5 in.. Edition 1/4 + 1 A.P
  • Tim Lee, Rust never sleeps, Neil Young, 1979, 2010, 3 channel 35mm slide projection - 3 Kanal 35 mm Diapositiv-Projektion.  Bild - image: 19 x 29 cm - 7.5 x 11.5 in.. Edition 1/4 + 1 A.P
  • Installation view, Hans-Peter Feldmann, Robert, 2002, Vitrinenschrank auf Pappsockel - 12 Hüte, 1 Paar Boxerhandschuhe, 1 Ball, 3 Paar Schuhe, 1 Kornett - Cupboard on cardboard base, with 12 hats, 1 pair boxing gloves, 1 ball, 3 pairs of shoes, cornet.  ca. 123 x 204 x 44 cm - 49.5 x 80.5 x 17 in.. and Hans-Peter Feldmann, Eiereimer auf Stuhl mit Pappsockel, 2003 , Eier, Eimer, Holzstuhl, Pappsockel - Eggs, bucket, wooden chair, carboard base.  ca. 61 x 96 x 89 cm - 24 x 38 x 35 in..
  • Anri Sala, Agassi, 2006, Installation: 16 mm Filmprojektion, ohne Ton - installation: 16 mm film projection, silent.  1' looped, Projektionsfläche: 75 x 56 cm - projected area: 29.5 x 22 in.. Edition 6/6 + 3 AP
  • Installation view, Roger Ballen, Fotografie - black & white photograph
  • Roger Ballen, Sergeant F de Bruin, Department of Prisons employee, Orange Free State, 1992, S/W Fotografie - black & white photograph.  40 x 40 cm - 15.7 x 15.7 in.. Edition 35


A Chamber Play

Curated by Jens Hoffmann A.C.I
Act 1: January 9 - February 6, 2010
Exhibition Opening: January 9, 6 - 9pm

Scene 1: Tim Lee | Hans-Peter Feldmann
Scene 2: Rodney Graham | Martin Creed
Scene 3: Roger Ballen | Anri Sala

Johnen Galerie is pleased to celebrate its 25th anniversary with Conversation Pieces, a group show of three parts curated by Jens Hoffmann. Adapting the structure of a three-act chamber play to an exhibition of visual art, Conversation Pieces presents a diverse range of artists currently or previously represented by the gallery, engaging them and their artworks in a series of intimate and dynamic conversations. While focusing on the theatrical aspects of the works, the exhibition will also reflect on the display of contemporary art and its relationship to the staged or dramatised. Each act is four weeks long and represents one part of a larger, developing narrative. Intermissions will last one week. A chamber play is a performance of three acts, staged in a small space with a minimal cast and practically no stage set. It depicts the inner dramas of the characters--their emotions, passions, and desires--and centers on nonpolitical or personal subjects such as historical fiction and domestic life.

The title of the exhibition, Conversation Pieces, traditionally refers to a particular style of group portraiture popular in Britain in the 18th century. These paintings, by artists such as William Hogarth and Joseph Highmore, typically show members of a family, friends, members of a social group brought together in an informally staged environment of conviviality. Conversation Pieces considers not only the specific art-historical typology of the conversation piece, but also the literal conversations among artists and artworks that an exhibition is intended to generate. Among these relations or dynamics are the theatrics of the exhibition space and the dialogues that arise there, the concept of the exhibition with its specific selection and arrangement of artists and artworks, and ultimately its broader understanding as a form of conversation piece.

The chamber-play premise for Conversation Pieces in part arises from the gallery’s proximity to one of Germany’s most important theater, the Deutsches Theater. Artifacts such as posters, program booklets and performance photographs of historically important chamber plays performed at the Deutsches Theater since its inauguration in 1883 will also be on view in the gallery. The exhibition is also a response to the gallery architecture: an intimate, 19th-century residential building featuring a noble facade, generous salons, and large backyards that are characterized by simplicity and functionality. The historical origins of the chamber play coincide with the architectural style of the building, both reflecting a growing focus at the time on domesticity and introspection.

Akt II: Confrontation – February 13 - March 13, 2010

Scene 1: Thomas Ruff | Andrew Grassie
Scene 2:
Roman Ondák | Wiebke Siem
Scene 3: Geoffrey Farmer | Martin Honert 

Akt III: Climax – March 20 – April 17, 2010

Scene 1: Dan Graham | Katharina FritschScene 2: Candida Höfer | Stefan BalkenholScene 3: Wilhelm Sasnal | Jeff Wall

Mit historischem Material der Kammerspiele des Deutschen Theaters Berlin.